Following up on yesterday’s pun cartoon by Scott Hilburn (in the posting “Out of nowhere, a rhino appeared and charged”), I looked at his (huge) portfolio of pun cartoons for others I hadn’t already posted on that were worthy of note, found several candidates I was mulling over (though I had quickly become sated with puns), and then ran aground on one I just didn’t really get:
(#1) Well, there’s evidence — the name Annie, that mop of curly red hair — that it involves Little Orphan Annie as a grown woman, with a young son, who she says can’t come out and play with the other boys today, but trills in song that her son will be coming out tomorrow, which is clearly a pun on sun, so there are all those parts, with a pun smack in the middle of the action, but it doesn’t hang together as a joke
But all the pointers are to Annie, the musical based on the comic strip, in which case it makes sense that I don’t get the joke, since I’m one of a select band of people who find the musical cloyingly unwatchable and consequently don’t recognize its songs, not even the plucky tyke’s anthem “Tomorrow” (which, it seems, is enormously popular; in preparing this posting, I have, alas, watched a number of performances of it, so that my judgment of it has crystallized to solid detestation). But, as I frequently note on this blog, if you don’t know the cultural context for the joke in a cartoon, you won’t understand the cartoon.
This time the ignorant cluck who didn’t get the joke was me. (Apparently, a large part of the Anglophone world recognizes the song.)
The musical. From Wikipedia:
Annie is a musical with music by Charles Strouse, lyrics by Martin Charnin, and a book by Thomas Meehan. It is based on the 1924 comic strip Little Orphan Annie by Harold Gray (which in turn was inspired from the poem Little Orphan Annie by James Whitcomb Riley). The original Broadway production opened in 1977 and ran for nearly six years, setting a record for the Alvin Theatre (now the Neil Simon Theatre). It spawned numerous productions in many countries, as well as national tours, and won seven Tony Awards, including for Best Musical. The musical’s songs “Tomorrow” and “It’s the Hard Knock Life” are among its most popular musical numbers.
The sun’ll come out tomorrow
Bet your bottom dollar, that tomorrow there’ll be sun
Just thinking about tomorrow
Clears away the cobwebs, and the sorrow ’til there’s none
Plus the comic strip, which is now available in its entire run:
(#2) Cover of the Library of American Comics, Vol. 1 of the complete comic strips, featuring Annie and her dog Sandy (with an inset of Daddy Warbucks)
Plus cartoonist Art Spiegelman’s blurb for the volumes (with his swipe at the musical):
Check out The Complete Little Orphan Annie by Harold Gray. The blank-eyed orphan was far grittier and moving than the saccharine Annie you know from the damn musical. [It] started in 1924 in a world chillingly like ours: crawling with cake-eaters, greedy bankers and international con men who exploit the hardscrabble working stiffs Annie hangs with when her “Daddy” isn’t around to protect her. The cartoonist, a tightlipped Midwestern Dickens, pushes the virtues of honesty, pluck, and hard work in adventures that can melt the heart of even hard-boiled cynics like I pretend to be.